Басовая табулатура G Love And Special Sauce | Coast To Coast Motel Album гитара табулатуры уроки тексты песен G Love And Special Sauce текст lyrics песня аккорды песни ноты нота электрогитара струна  
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группа G Love And Special Sauce, Басовая табулатура песни Coast To Coast Motel Album

Группа: G Love And Special Sauce - другие аккорды (6)
Басовая табулатура песни: Coast To Coast Motel Album
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#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
Date: Tue, 19 Dec 1995 23:32:36 -0500 (EST)
From: david a piniella 
Subject: /g/g_love_and_special_sauce/coast_to_coast_motel_album.btab
"sweet sugar mama"
main lick, vamp.                variation                 fill
[ pretty simple, main lick throughout, with the variation being just the ]
[ main vamp a fourth up. the fill is near the end of one or two of the   ]
[ verses, you can hear it clearly. slight swing, smooth and tight feel.  ]
"leaving the city"
   main vamp             bridge
[ main vamp throughout the song, with the bridge section played during ]
[ the guitar's single chord strum before "yeah, i'm leaving the city"  ]
  main vamp         breakdown                transition to vamp
[ the main vamp has a samba feel and can be played in the open position  ]
[ if you want the notes to ring, but i like the muted sound of the fifth ]
[ position. the breakdown is short, but sweet --the transition back to   ]
[ the vamp is pretty smooth, and there are a few rests to watch out for. ]
"kiss and tell"
   main vamp                                shift in solo section
[ the main vamp seems complicated, but it's just him walk/swinging the ]
[ notes G C G D while playing off a pedal G (D string/5th fret) and a  ]
[ little walk on A to the D. the solo section is basically the same as ]
[ the main vamp, except for this small piece which takes it back to the]
[ vamp almost as soon as it walked away from it.                       ]
"chains #3"
   main vamp                  fills/variations
[ look simple? it is. use the fills/variations before the guitar solo ]
[ after the "ain't no chains gonna hold me down..." vocal part.       ]
main vamp                "sometimes..."
[ the r in the main vamp is a rest. the "sometimes..." part is a walk, ]
[ follow the guitar's chords.                                          ]
main vamp.

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G|--------------------------------------| D|-------------------5---5--------------| A|----3---33---3-1---------3---3---1----| E|--1---1----1-----3---3-----3---3---1--| [ it's basically a shuffle/walk through the notes F, G and C with a Bb ] [ every once in a while just for good measure. ] ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ "soda pop" main vamp variation 1 variation 2 fill/transition G|---------------|----1-2----1-2--|----6-7----6-7--|-------------------| D|---------------|----------------|----------------|----------4-6-7-7--| A|----4-5---4-5--|----------------|--0------0------|----4-5-7----------| E|--5-----5------|--0------0------|----------------|--5----------------| [ bass is tacet at first, then kicks in with the vamp. it plays the ] [ variations at different points, you can hear the open strings buzz. ] [ the fill/transition is at the end, it's just a walk up and down. ] ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ "bye bye baby" intro/verse 1st trombone solo horns solo key change G|------------|-------------------|-----------|--3----1--| D|------------|----2--------------|--3-----1--|----22----| A|----3----2--|------3-2-0--------|----22-----|----------| E|--0---00----|--0---------3-2-0--|-----------|----------| [the intro/verse is used after a few slides (while the guitar is strumming ] [the opening chord(s) and when the drums kick in. the 1st 'bone solo uses ] [this walk along an Em chord. there is a solo section where the 'bone, a ] [trumpet and a clarinet go off, there's a key change in there too. the ] [second trombone solo has no bass, so that's that. ] +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ "tomorrow night" verse vamp G|------------|--------2-4--|----4-2------| D|-(2)-(00)---|----2-4------|--------4----| A|----2-55-2--|--2(4)-------|--2-------2--| E|--0---------|-------------|-------------| [ the notes in parenthesis can be use in place of the ones that they're ] [ above. the first bar is the intro, and is used occasionally in other ] [ places. the other two bars go together and are used for much of the ] [ song, after the intro and almost all the way until the end. ] +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ "small fish" intro main vamp variation G|------------|----2p0-----44-5/--|----2p0-----44-4b--| D|------------|--------4-2--------|--------4p2--------| A|----5-7-7/--|-------------------|-------------------| E|--5---------|--0----------------|--0----------------| [ the intro is just accents on some chords the guitar plays, with a slide ] [ at the last one. the main vamp is used throughout, with the low E being ] [ help out throughout the measure. the variation is used sometimes, with ] [ the B being bent up to C sometimes, and sometimes slid up from C. ] +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ "coming home" is just guitar, but if you want to play a thicker version live or something, the notes that you should walk are C, B, A, G, with G being the main note you should accent or use as a pedal tone. -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- enjoy. -d. -- "negative d" and "-d." is david a. piniella, who speaks for himself. "Find myself singing the same songs every day/Ones that make me feel good when things behind a smile ain't OK." [Shannon Hoon/Blind Melon] "But I don't want to go among mad people," said Alice. "Oh you can't help that," replied the Cat. "We're all mad here." "There you go; stark raving sane." [Guildenstern]

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