#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
From Litgo@aol.com Wed Mar 20 01:57:33 1996
Received: from post-office.nevada.edu (post-office.nevada.edu [131.216.1.11]) by mailhost.tcs.tulane.edu (8.6.12/8.5) with ESMTP id TAA46990; Tue, 19 Mar 1996 19:57:29 -0600
From: Litgo@aol.com
Received: from emout09.mail.aol.com (emout09.mx.aol.com [198.81.11.24]) by post-office.nevada.edu (8.6.12/8.6.4) with ESMTP id RAA09513 for ; Tue, 19 Mar 1996 17:55:38 -0800
Received: by emout09.mail.aol.com (8.6.12/8.6.12) id UAA03428 for Guitar@nevada.edu; Tue, 19 Mar 1996 20:55:11 -0500
Date: Tue, 19 Mar 1996 20:55:11 -0500
Message-ID: <960319205510_172468360@emout09.mail.aol.com>
To: Guitar@nevada.edu
Subject: TAB:5:15 by WHO,_THE
X-email-warning: As a cautionary note, there have been recent instances of
people forging mail addresses. If you have any reason to believe
this message is not authentic, please contact the listed sender or
System Computing Services at (702) 895-4585.
Status: RO
5:15
By The Who
>From Quadrophenia, 1973, Polydor
Written by Pete Townshend
Capo: 3d fret
Chords (with capo):
G (E5) 355xxx or 3557xx
G6 (E6) 375xxx
F (D) xx756x or xx3565
F/G (D/E) xx556x
C (A) x3555x or x35557
Am/G (F#m) xx755x or 37755x
Cmaj7/5 (Amaj7/5) x3543x or Em/G: x35453
Gsus4 (Esus4) 355533
C7 (A7) x38368 or x3555x
FII x37x68 or xx756x
Bb (G) 653366
Bb6 (G6) 653363
Intro:
F/G G7 Cmaj7/5 Am/G
|--------------------------------
|--5-5----3-3-----3-3------------
|--------------------------5-5---
|-5-5----5-5-----5-5------5-5----
|--------------------------------
|--------------------------------
Gsus G C Cmaj7 C2
|--------------------------3---------
|----------------5---------5---5---3-
|--5-5----4-4----5---------4---4---5-
|-5-5----5-5-----5---------5---5---5-
|----------------3---------3---------
|------------------------------------
F/G G7
Why should I care?
Cmaj7/5 Am/G
Why should I care?
(Two guitars on record)
Guitar 1:
Gsus4 G C
E---19--17--15--13--12--10--8--7---7-8-8-----
B--------------------------------------------
Guitar 2:
E--------------------------------------------
B---15--13--12--10--8--7--5--4---5-5---------
(in concert, for one guitar --use a combo of ONLY two of the strings;
I've heard it done three different ways -- the e and g strings, the e and b
strings and the b and g strings.)
E---15--13--12--10--8--7--5--3---7-8-8-------
B---15--13--12--10--8--7--5--4---4-5-5-------
G---16--14--12--10--9--7--5--2---4-5-5-------
G G G C C
G---------5-3--|---------------||
D---5-5-3------|--5-5-3--------||
A--------------|--------7-3-5--||
E--------------|---------------||
G G6 G G6 G G6 G G6
Girls of fifteen, sexually knowing
F C G G6 G G6
The ushers are sniffing, eau -du-cologning
The seats are seductive, celibate sitting
Pretty girls digging prettier women
C7 FII C7 FII
Magically bored on a quiet street corner
Free frustration in our minds and our toes
Quiet storm water m-my generation
Uppers and downers, either way blood flows
F Bb6 F Bb
Inside outside, leave me alone
Inside outside, nowhere is home
Inside outside, where have I been
F Csus4 G
Out of my brain on the five-fifteen
F C G
Out of my brain on the train
F C G
Out of my brain on the train
A raft in the quarry, slowly sinking
Back of a lorry, holy hitching
Dreadfully sorry, apple scrumping
Born in a war, birthday punching
He-man drag in a glittering ballroom
Greyly outrageous in my high heeled shoes
Tightly undone, know what they're showing
Sadly ecstatic that their heroes are news
Inside outside
Leave me alone
Inside outside
Nowhere is home
Inside outside
Where have I been
Out of my brain on the five-fifteen
Out of my brain on the train
Why should I care?
Why should I care?
=============
Litgo@aol.com
| 
